
matt made mahts mad^ could be a drama warmup tongue-twister.
Um, like, HI! Like, I'm, uh, Matt Crawshaw, and um, this is my, uh, first, uh, time, like, like, like - oh yah - guest blogging. And, like, I try not to talk like I am mentally deficient all the time. Because that would just cement a reputation for being totally and utterly stoned and less-sharp-than-a-blunt-thing. Also, it would also associate myself with being blond, an title that is eternally owned by Hazri and therefore best avoided by me.
Saturday yielded for Hazri and me (and the rest of the drama people involved) considerable amounts of the Queer Phenomenon known as Theatre High. (Though perhaps it is queer only because it's AC, but that is another topic entirely.) This is because we had just wrapped up our drama obsession for the past month and a half, a play at the Arts House.
It was minimalist, the sort where a a couple of people in the front talk a bit and a whole bushel of people at the back shout randomly into the faces of the audience, spit flying every where. Ergo, very pretentious. But everyone was very happy once we'd completed it, audience members giving most appreciative praise, the Madams being suitably impressed, and the cast and crew patting each other on the back. This despite the subject matter of the play being disgustingly depressing in nature, but oh well, such is such.
One of the most strangely fascinating parts of the production process was the make-up that day. Stef did a bang-up job, making people look scary and punched-in-the-face. Hazri became a consumate teeniegoth maht (a weird synthesis I know - *watches the Maht-and-Minah Brigade brandishing their tapereds angrily*). His hair was stuck to his pait, and his eyes heavily shadowed to give the impression of a washed-up druggie. Damn scary lah.
The thing about the theatre process is (yes, I've finally settled on a topic to ramble about) that it inevitably entails gratuitous amounts of suffering, on everyone's part, to get the play right. And though we may have practised for 20 nights to get a 1-hour performance right, the returns are worth it. I don't know if it's stupidity to put so much effort into such a transient and fleeting illusion, but one hopes that the effect the play had on the audience members will be substantial enough for them to find the evening worth it. And if they did, those involved in it will too.
Specifically to the play we did, In Quest of Conscience, which was a recount of the events at a jewish work/death camp during World War II in Poland, the illusion created was that of the sufferings of the Jews. But instead of just blaming the Nazis for their barabarism, it looked at the moral dilemmas of the people running the camp, showing how by fear and compulsion they rationalised and justified their grim jobs. And how far can we blame them for trying to stay alive themselves, or for attempting to keep their families safe? Surely the lives of one German nuclear family is nothing compared to the 1.2 million jews murdered at Treblinka, but men are partial to their own relations. And just how wrong is that?
It's like friendships (watch me meander from the topic) - some friends are better than others. Can one be blamed for being closer to someone and not someone else? I mean, yes, we should exercise brotherly love for everyone, but if everyone loved everyone else equally, the world would be a much more confused place. Some things just cannot be equal.
At the end, the jews suffered because of one man's hate (HEIL HITLER - not!) and the inability of his subordinates to find a brotherhood of equality with them; and politics in friendships occur because one trusts a friend more than he trusts another; and theatre must take a back seat because other things have suddenly becoming more important. All matters of effing priorities. And there you go, Something Prosaic. Well, I tried.
And yes, like, you could search for a central theme in this post and probably not find one, the meantime in which I will resume the gibbering, pointless venacular, of like, like, a total, um, bimbo. Like, and then I'll say, 'goodbye', you know? And then, I'll, like, blame it on, uh, that Queer Phenomenon thing I just kinda remember talking about. Um, yah.

Toodles.